And it's profoundly wrong-headed. Kids don't want to go to baseball games with their Dads because the game is "for kids" — they want to go because it's an adult thing, and they want to enter that adult world! Kids don't like the Muppets because they're children, but because they're adults! (Indeed, the Muppet Babies were, initially, made as a flashback in a Muppet movie, not in a stand-alone product aimed at kids). Kids don't need to see Baby Yoda, or 8-year old Leia — they want to see Luke, and Han. They want to learn about the adult world, and learn how to function within it!
So these new book covers, that say "see?! She's a little girl, just like you!" are so frustrating. Let the kids approach adventures as adventures — often involving real threats, and real dangers — not as "kid adventures," which belittle and patronize them as readers before they even open the book. Check out these covers!
Ok, last-but-the-opposite-of-least: David's all-time favorite children's books! I read each of the final books in the countdown many, many times during my childhood, some of them almost every year. No need to waste more time building them up. Let’s get to it.
No. 8: Swallows & Amazons (series) (Arthur Ransome, 1930)
I came to this book a little later than I should have, because I kept putting it off. A book about sailing, in England? Not interested. I rolled my eyes, and delayed. That, it turns out, was a regrettable mistake.
Because once I finally got into the first book of this series, about a brother and sister (as I remember it) on vacation in England’s Lake District who find themselves in a friendly rivalry with – and then sharing adventures with – several local kids, all taking place on or facilitated by their small sailboats, I was immediately hooked. As with so many of the best kids’ books, parents are more or less absent, and the protagonists are independent, forced to make important decisions and deal with consequences on their own. Still, unlike some of the other books on this countdown, Swallows and Amazons is not dark and scary at all. It's light-hearted, nobody is an orphan, and nobody faces death. Somehow, Ransome captures how fun childhood — just regular ol' childhood – can be. I wonder if that kind of independent and outdoors racing-around adventure is still available to kids. I fear not.
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| Yes. |
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No. 7: The Phantom Tollbooth (Norton Juster, 1961)
According to Wikipedia: “Though the book is on its face an adventure story, a major theme is the need for a love of education; through this, Milo applies what he has learned in school, advances in his personal development, and learns to love the life that previously bored him.”
Boy, that makes a book that is so creative, so wonderful, and so funny – a modern day Alice in Wonderland – sound remarkably dull. It is, of course, anything but. In fact, in the 60s and 70s, the book was everywhere, and it seemed like every family of readers in America had a copy of it. I must have read it – and enjoyed the famous illustrations by Jules Feiffer (the author’s housemate at the time of the book’s writing) – like five times. It was, in each and every page, a joy.
I don’t know, though. I vaguely remember the cartoon movie they made out of it (here’s the trailer), but again, Hollywood seems unable to really capture the intelligence of kids’ books and the kids' pride in getting the jokes and word play (or at least, getting some of it, and more with each reading) – instead the stories are flattened out, and almost patronizing in how concerned the creators are that kids will become bored. Give me the Spiderman cartoon from the 60s, if necessary. That one at least didn’t talk down to me, as a kid, and posited that I could not only handle darkness, risk, and danger, but actually welcome it. I don’t mean that the Phantom Tollbooth story is particularly dark, but … it seems to me that Jules Feiffer’s drawings are much more attractive and appropriate than the Disney-fied cartoon.
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| Again, do we need Spider-man to be eight years old? No! |
No. 6: The Princess and the Goblin (George MacDonald, 1872)
I haven’t read this book, and its equally compelling sequel, The Princess and Curdie, in many decades, and I need to pick them up again sometime soon. Although these books are “timeless classics” (trademark), I’m not quite sure they’re as familiar to people of my generation (let alone the generations that followed) as others on this list. Which is a shame – they’re mysterious, dark, and profoundly compelling. Though I’ve always enjoyed them, the books aren’t spoiled by over-exposure (despite, apparently, the existence of a 1991 movie which I never saw and don’t actually ever remember hearing much about). They are, in fact, wonderful adventures into dangerous worlds.
According to Wikipedia, J. R. R. Tolkien's depictions of goblins was heavily influenced by the goblins in The Princess and the Goblin, and G. K. Chesterton wrote of the book that:
I for one can really testify to a book that has made a difference to my whole existence, which helped me to see things in a certain way from the start; a vision of things which even so real a revolution as a change of religious allegiance has substantially only crowned and confirmed. Of all the stories I have read, including even all the novels of the same novelist, it remains the most real, the most realistic, in the exact sense of the phrase the most like life. It is called The Princess and the Goblin, and is by George MacDonald ….
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| Ok, it's a weird cover. But definitely not patronizing! |
No. 5: The Dark is Rising (series) (Susan Cooper, 1965)
Despite the terrible movie based on this series, these books (which include Over Sea, Under Stone and The Grey King) were by far the most “adult” of the children’s books I remember reading as a kid; not simply “dark,” but literally (as I remember it) frightening. Threatening. Ominous. Powerful. I know I repeat myself, but these books, loosely based on Welsh and Arthurian legends, were extremely compelling.
In fact, when the Harry Potter books came to prominence, it was this series I found myself thinking of. They’re not exactly similar – the magic is ominous and threatening in Susan Cooper’s series, not ubiquitous and playful as it is in J.K. Rowlings' – but certainly both extended series of books involve a group of young friends in the modern world defending that world against a growing and powerful threat, all building to a dark and powerful climax. I would recommend this for any kids who find that more playful Harry Potter paradigm insufficient. These books are scary in the best way -- and, in presenting kids with a scary world, reward them for embracing it.
No. 4: The Silver Crown (Robert C. O'Brien, 1968)
Boy, it’s getting really tough to rank the remaining books on this list. I used to read each of the remaining four books (including this one) almost every year, and while I don’t now remember many specific plot details, I certainly remember the excitement with which I re-approached each one, each time. The Silver Crown is an example of what I came to recognize as a common theme: a girl protagonist, apparently (or actually) an orphan, forced to make decisions in a threatening world on her own – forced to “grow up,” essentially, over the course of an adventure she has no choice but to enter into. The next two books on the list are almost identical in that. This, of course, is the point of fiction. It’s not about “morals” or “lessons.” It’s about being given the opportunity to experience the world from a perspective other than our own, and to think about the decisions the characters make, and consider the consequences, from the safety of our own homes. It’s about empathy.
What makes The Silver Crown stand out is the science-fiction and fantasy elements. Our heroine witnesses the apparent death of her parents and is thrust into a world of mind-control, assassination, and an evil organization bent on world domination. It’s a lot of fun.
No. 3: A Wrinkle in Time (Madeleine L'Engle, 1962).
A Wrinkle in Time of course – I say "of course" because I assume everyone has read it and remembers it – is another of the books in which a teenage girl is forced to go out on her own, without parents, to protect and/or save younger family members. In this case that girl, Meg, goes out with her odd-but-brilliant younger brother, Charles Wallace, to rescue their Dad, who has been kidnapped on another planet. Another sci-fi/fantasy novel, with a young woman from our own world forced to engage with a decidedly other world, involving magic, advanced technology, and very real threats.
Also, I remember Meg, at one point, zipping up her “cardigan,” which had such an effect on me that I always wanted a cardigan for myself, whatever that was, and was delighted in my twenties when I finally got one.
By the way. Compare the book cover I read to the modern one. This literally sums up everything wrong with how we treat kids today.
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| Mine: Mysterious, Scary, Challenging |
No. 2: Island of the Blue Dolphins (Scott O’Dell, 1960)
Island of the Blue Dolphins, about a young native American girl named Karana who is stranded alone for years on an island off the California coast, is based on the true story of Juana Maria, who was left alone for 18 years on San Nicolas Island during the 19th century. The true story, I fortunately didn’t discover until many many years later, is pretty sad. This story is yet another of a girl on her own, without parents, forced to adapt and survive in a threatening environment, requiring of her resolve and resilience, creativity, courage, and ingenuity. It’s exciting, remarkable, fascinating, and profoundly entertaining.
No. 1: Call It Courage (Armstrong Sperry, 1941)
I literally read Call it Courage for at least four straight years, until we moved to Germany in 1977. The book, which is set in the Pacific Islands, is about Mafatu, the son of the chief, who is afraid of the sea after seeing his mother die in it as a child. His fear shames his father, and he is referred to as a coward by his tribe. Finally he takes a dugout canoe and sets sail into the ocean, before being caught in a storm and ending on a deserted island, where he learns to hunt and fish for himself, along with his companions, a small yellow dog and an albatross.
I don’t remember much about it at this point beyond that bare summary, but I do remember the sense of adventure, of courage, of resolve. Interesting that this one, unlike most of the others on the list, is about a boy rather than a girl — I have a feeling if Hollywood made it today they would have gender-swapped it. That’s fine – works either way.
Also: Don't you wish you could come up with a title as cool — as perfect — as "Call it Courage"?
Well, almost. Needless to say, in the course of considering and preparing that list, I remembered important-to-me books I had forgotten. I would be angry at myself if I omitted the following books altogether. So, Honorable Mention: Heidi; all the Hardy Boys books (boy that was an entertaining world, with best friend "Chet" and jumping on the running board of their car, whatever that was); The Narnia Chronicles (though I re-read the first one recently, and ... it really is aimed at young kids); The Adventures of Robin Hood (by Roger Lancelyn Green), Mistress Masham’s Repose, The House with a Clock in Its Walls, The Thurber Carnival, the Judy Blume books, and Jacob Two-Two and the Hooded Fang. Loved 'em all.



















